High Society - The Barbican, London

Photo credit: Pamela Raith

It was a genuine pleasure to visit the Barbican Theatre to catch High Society before it concludes its London run and embarks on a national tour.

Visually, the production is striking from the outset. The elegant single-set design, framed by two imposing staircases and enhanced by superb lighting, provides a sophisticated backdrop that perfectly complements the glamour and sophistication of the story.

While it would have been wonderful to see the scheduled performances by Helen George and Julian Ovenden, the understudies stepping into the leading roles delivered performances of remarkable quality. As Tracy Lord, Isabel Snaas was captivating throughout, bringing warmth, energy and a wonderfully nuanced understanding of the character. Opposite her, Andrew Coshan's Dexter Haven exuded charm, charisma and effortless stage presence, making for an engaging central partnership.

Felicity Kendal brought grace, elegance and authority to the role of Margaret Lord, embodying the matriarch of the Lord family with effortless sophistication.

As journalist Mike Connor, Freddie Fox delivered a confident and charismatic performance, combining sharp comic timing with considerable charm. Carly Mercedes Dyer impressed as Liz Imbrie, particularly in Act Two, where her rendition of I've Got You Under My Skin proved to be one of the evening's standout moments, earning a well-deserved enthusiastic response from the audience.

Nigel Lindsay provided much of the production's comic energy as the gin-loving Uncle Willie, delighting with his impeccable comic delivery and larger-than-life antics. He was expertly matched by Naomi Pacquette as the precocious Dinah Lord, whose performance added further sparkle to the proceedings.

David Seadon-Young excelled as the buttoned-up George Kittredge, delivering a finely observed character performance that balanced humour and rigidity in equal measure.

Anthony Van Laast's choreography is a constant highlight, with the twelve-strong ensemble executing a series of stylish and energetic routines throughout. The orchestra, under the assured musical direction of Stephen Ridley, beautifully captures the richness of Cole Porter's timeless score.

This is musical theatre in its most traditional and enjoyable form. With its sophisticated wit, romantic storyline and a wealth of Cole Porter's unforgettable melodies, High Society offers an evening of pure escapism and entertainment.

If the opportunity arises to catch this production on tour, it is not to be missed. Sit back, relax and allow Cole Porter's glorious music and this delightfully charming show to transport you for a few hours. Pure theatrical pleasure.